I am an artist creating technological bodies to navigate the boundaries of experience. My hybrid identity as a performer, sound artist, stage director, inventor, and theorist allows me to blend contemporary performance, new media art, and interactive computer music into performances, installations, and films that defy categorization (Prix Ars Electronica).
The body is, for me, a morphing language to speak of ritual, power, and technology. While rooted in performance art, I take the discipline into strange encounters with sound, machines, and light to create a sensual, uncompromising aesthetic. My inventions, such as AI-driven robotic prosthesis and biophysical musical instruments, explore visceral forms of interaction and create music from the sounds of a performer’s body. The resulting merging of bodies, sounds, machines and algorithms is considered a pioneering approach to the performing arts (Der Standard).