In 2020, Charlee Remitz put out her final pop album, admitting to a complicated relationship with pop music and leaving it in the hopes of finding something simpler. Four years later, inspired by Ursula K. Le Guin's concept of "self-loss", Remitz returns as the genderless, ageless Blue Monkey, carving out a space in the indie continuum for eleven-minute debut, "Pylons", a song about transcendence, endurance, and the fatigue of dreaming.
