Range turns decades of poetry, political rage, gallows humor, and late-night brain-static into songs that cut across genre without asking permission.
His work moves from anti-war protest songs and current-event commentary to blues, rock, country, folk, hip-hop, synth-pop, industrial, reggae, and whatever hybrid form the song demands. Some tracks are strange. Some are bluntly political. Some are funny in the way a cracked windshield is funny. Others are personal, bitter, wounded, or unexpectedly tender.
Range’s songs often come from lived frustration: empire rot, surveillance, media decay, class contempt, spiritual exhaustion, and the weird private thoughts people usually sand down before saying out loud. The result is music that can sound like a protest sign, a barroom confession, a bad joke told at the end of the world, or an old poem dragged into the present and wired to a beat.